Sunday, November 9, 2014

LOCKE



By Darin Skaggs

     Locke is one of the most gimmicky films made in recent memory.  It stars Tom Hardy as Ivan Locke.  In the first scene we see him leave his construction job, enter his car and drive away.  From there it is only Locke in a car driving on the highway having several phone conversations with co-workers, his wife and a mysterious woman.  He calls to say he won’t make it to work nor won’t be at home that night.  We slowly find out where he is heading to, the mysterious woman is delivering his baby from one night of passion.  The whole film is him driving to this woman while dealing with the repercussions of leaving all his responsibilities of his job and home.
     This idea has a lot of potential and Hardy is giving a wonderful performance but the film does not all come together.  The film falls flat due to the odd choice of why Locke is doing what he is doing.  You spend about the first third of the film wondering what this man is up to.  When it is revealed though it does not seem to fit in the story, you are left with an awkward taste in your mouth.  And maybe that is the point of the film but by the end you are wondering why he does all this, lose his job and get into a big fight with his wife, just to help this woman.  Just talk it out, it will turn out better.  You’re left wondering what the point of the film is.  Is it about owning up to your mistakes?  Is it about how phones are making messing up easier to deal with?  Well, whatever the film is trying to say it does not come through in a clear way.
     What does make this film watchable though is all the other aspects to it.  The film looks beautiful, several great shots of Locke driving at night.  When the camera is on him there are good shots of headlights coming toward him, and then passing right at the last minute.  Other times it almost makes you feel you’re on a peaceful car ride even though what is happening in the car is very stressful.  Tom Hardy also does an amazing job throughout the film.  He carries it so well acting so cool, calm and collected but we know inside he is full of stress and sadness. 
     Locke had a lot going for it; the premise, the acting and the look of it.  Sadly, the film just falls flat and becomes just awkward to watch after you fully process what this man is doing.  What the film is trying to say is unclear.  Locke is well made but not worth your time.

Monday, November 3, 2014

GONE GIRL



By Darin Skaggs

     David Fincher has had quite a career making such classics like Fight Club, Seven and The Game.  His career of late has been more tone down; there is not much gore or murder/mystery elements to them.  Though those ventures have still been fantastic; The Social Network, The Curious Case of Benjamin Button.  His new film Gone Girl, much like his best film Zodiac, combine these two steps in Fincher’s career to make another well-made thriller.
     Gone Girl stars Ben Affleck as Nick Dunne, whose opening line while staring at his wife’s head goes to the effect of “What are you thinking? Sometimes I just want to bash your head open just to see what you’re thinking.”   The next scene which is titled as “The Morning Of” we see him visit his bar where he works with his sister.  He gets a call from a neighbor about his cat, heads home to find his wife missing, furniture knocked over and no other evidence.  The police come and investigate.  Nick is calm and doesn’t seem to be worried about anything making him a lead suspect in the investigation of his missing wife. 
     Fincher’s last effort, The Girl With the Dragon Tattoo, was a good mystery thriller but really fell apart near the end.  This is a real return to greatness for Fincher.  The rest of the film is spent wondering what happen to the wife and then comes some of the best twist and turns put to screen in a long time.  This film is so tense and captivating because of the mix of the score, acting and directing.  They cast actors like Tyler Perry and Neil Patrick Harris as supporting characters to lighten the tension a bit and the one who shines the most may surprise you.  There is a big element of this film that could have destroyed it and it seems the filmmakers knew it so they threw in some comedy, intrigue and clues to keep you guessing who-done-it.
     That big element that only hurts the film slightly is this film is a big bummer.  The larger theme in this film is a very, very cynical look at marriage.  There are flashbacks to the “Honeymoon stage” of these people’s relationship and they are happy, but the film says the passage of time and human instinct takes over and all the bliss blows away.  By the end of the film you realize Fincher is emoting all his feelings of being trapped in this little prison called life.  It is such a mood killer that you will probably leave a little more depressed than you were before, but maybe that’s the point.
     The film’s acting all around should be interesting around Oscar season with not a rotten one in the bunch.  It will bum you out a bit but it is still a great mystery with fantastic twists, so it won’t disappoint.  For Fincher’s career it is an instant classic and one of the best films of the year.

Episode 54 - David Fincher Films



   In this episode of The RoseBuds the gang talks about the career of David Fincher.  Also Taylor Swift is discussed and Andrew introduces a new segment.

Episode 54 - David Fincher Films

If this episode is not available any more just E-mail us at therosebuds13@gmail.com and well send it to you.

Monday, October 27, 2014

The Criterionist - Ep. 28: BLOOD FOR DRACULA (1974)



     In this episode The Criterionist discusses Paul Morrisey's BLOOD FOR DRACULA.  He talks about how weird it is and just too creepy as well.

Ep. 28: BLOOD FOR DRACULA (1974)

Hey if this episode is not available anymore just E-mail me at darincriterion14@yahoo.com

The RoseBuds - Ep 53 - The Office Season 2 (Tournament Style)

   

   In this episode the gang tackles every episode of The Office Season 2, tournament style.  They bring in resident expert on The Office, Mackenzie Skaggs, and break the season down.  This is their longest episode.  Good luck.

Episode 53 - The Office Season 2 (Tournament Style)

If this episode is not available just E-mail us at therosebuds13@gmail.com.  Same goes with any of our other episodes.

Monday, October 20, 2014

The Criterionist - Ep. 27: FLESH FOR FRANKENSTEIN (1973)

   


   In this episode of The Criterionist he discusses Paul Morrisey's FLESH FOR FRANKENSTEIN.  He talks about how crazy it is and how is deals with sexual frustration.

Ep. 27: FLESH FOR FRANKENSTEIN (1973)

Hey if this episode is not available I would love to send it to you.  Just E-mail me at darincriterion14@yahoo.com 

The RoseBuds - Ep. 52 (One Year!) - Our Favorite Songs Of All Time


    In the RoseBud's year anniversary they countdown their favorite songs of all time.  Instead of the normal five to ten they go for their top 20.  Will Nirvani make it?  Just listen to find out!

Episode 52 (One Year!) - Our Favorite Songs Of All Time

Hey if this episode is not available anymore well be glad to send it to you, just E-mail us at therosebuds13@gmail.com